![]() In areas where the economy was heavily based on natural resources, costumes tended to be of simpler design and simpler embroidery such as a woven stitch, cross-stitch, and chain stitch. The fabrics from which clothing was made – wool, flax and hemp – as well as the type of cut, thickness and colour, were basic factors that shaped the great diversity of costume and embroidery type throughout Poland. Thus, the costume drew attention to the personal qualities and distinct identity of the wearer, as well as demonstrating, especially to the neighbours, wealth, economic independence, social status, as well as geographic area or parish. This formal dress or costume was a way of investing and protecting capital, was made to last a lifetime, and was often handed down from generation to generation. However, a special, festive and formal dress was the rule for weddings and other special occasions including attendance at church and government offices. A woman’s clothing was similarly a cotton or linen dress or blouse and skirt. Initially, the basic elements of daily clothing for peasants were a cotton or linen shirt and trousers held up by a string belt. Eventually they became ornamental and characterized differences in class and station, region, and urban and rural environments. These stitches were initially functional: to strengthen the construction of a garment by reinforcing seams and areas of highest wear, such as collars, cuffs and shirt fronts. We use the term embroidery to describe several different types of ornamentation including woven, cross-stitch, flat stitch, open work (often called “Richelieu”), lace (crocheted, woven and bobbin), and appliqué. In this virtual exhibit, a companion to our on-site exhibit, we shine a spotlight on traditional embroidery and how it can be repurposed ( □□-□□□□□□), as well as on artists locally and across the world who are reimagining embroidery and pushing this art form into new realms ( □□□□□□□□□□, □□□□□□□□□□). It is the artist in us that looks at traditions and pushes the boundaries to create something new. The need to clothe ourselves still exists, but machines and factories have largely replaced the individual labours of the home tailor and embroiderer. Their use strengthened the construction of a garment by reinforcing seams and areas of highest wear, as well as becoming ornamental, often characterizing class, station, and place. Evolving over centuries, these stitches became known as embroidery, or “haft” in Polish. Ableton live suite 10 cheap on ebay reddit skin#The essential need to clothe ourselves-to join pieces of animal skin or fabric together-required the ingenuity to combine thread and stitches that were both functional and decorative. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |